ну как вы все относитесь к трек - продюсер Sticky - с ragga-певцей Lady Stush - "Dollar Sign" на Social Circles. он практически тоже самый, как 'Boo!...', но более....минимальный....

я просто люблю этот трек!

ambrose: ну я test press уже играю пару месяцев в Республике, и пока могу тебе сказать со всей увереностью, что пока Boo! с Medevell Hooliganz refix имеют гораздо более мощный успех, чем STUSH. Явно нужны ремиксы на трек, но потенциал есть конечно. Sticky сделал два киллера - Tubby T и Stush!

nice one man

Ambrose, is that u?
Haven't heard form ya for ages. Write a letter for me. How are you?

ОООоо!!!!у нас в Одессе про Stush думать даже нечего!Вот только более ли менее Boo!стала известной!

увы Ms Dynamite (MC dynamite - д н б МС) стало чисто RnB певца и в своим новый албом совсем нет всяких гаражые трекы.....но в качестве МСа, она классно - надо больше collaborations (не знаю русское слово) c garage продюсерыми....

а СТУШ просто helium-газом наверно использует...

можео очень интересное мнение (по англияский) сюда:

"Sticky ft. Lady Stush - Dollar Sign
Speaking of the dangers of abstraction, I was a bit disappointed with Sticky's last monsta-hit "Triplets", whose scientific pose and amusing gimmicks (mock-classical strings, waveform bass) couldn't hide a strange and ultimately debilitating lack of groove aka sexiness aka the very thing that makes 2-step work. So it's great to see him back to doing what he does best: introducing abstraction to a sexy vixen and pushing them both into bed together.

So this is sort of like "Booo!" (song of 2001!) part 2: there's the jerky stop-start beats played by robots, the baleful but contained bassline growling tersely, the irreverent dancehall diva taunting the listener imperiously on top. But Lady Stush is definitely her own badgirl - if Dynamite inspires something like devotion mixed with inadequacy, my reaction to Stush is a combination of fascination and incomprehension. This girl's accent is so thick that half of her performance is totally barred to me apart fom the purely aural enjoyment of her chatter. The only constant is a refrain, a need to reiterate that "it's ALL about Stush!", squealed with such raucous delight that you can even imagine Lil' Kim being somewhat intimidated by this Lady's brazen sexuality.

"What's the attraction of these dancehall divas?" I wonder to myself. Why do I find them endlessly fascinating, tirelessly entertaining, pretty much the only type of pop "character" that 's absolutely guaranteed to captivate me these days? Maybe it's some subverted camp thing; while most gay men idolise female stars who embody the glamour and the dignity that they simultaneously yearn for, for me it's the dancehall diva's thrillingly alien sexuality mixed with power that both entices and inspires envy. These are living, breathing, spitting praying mantises; it's obvious from the get-go that either Stush or Dynamite could eat you alive as soon as look at you.

Apart from these wonderful ladies, what is great about both "Booo!" and "Dollar Sign" is how Sticky utilises their charisma to carry intensely minimal arrangements, in the process exposing the essential inescapable strangeness of 2-step. "Dollar Sign" is even more minimal than its predecessor (its sly groove actually reminds me of Richie Boy and DJ Klasse's peerless, pivotal "Madness On The Streets"), and maybe isn't as all-round excellent as "Booo!", not quite matching its hectic live feel. Instead it's more fun, more sexy, more shameless in its replacement of the "song" with a brilliant three-minute strut."

от сайта geocities.com/tim_finney/blogger.html

- он австралец с классным вкусом музыке...

блин а нус вообще ничей трек не стал более известным вот палево хочу в Москву и Питер!